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Me And My Woman (by Roy Harper)

Salmo 3: O Dio Perché by Benedetto Marcello — Cantus Cölln from the album: Estro poetico-armonico (Cantus Cölln)

Benedetto Marcello (1686-1739) — Estro poetico-armonico (1724)

Salmo 3 in g “O Dio Perché

Cantus Cölln
Johanna Koslowsky, soprano
Elisabeth Popien, alto
Konrad Junghänel, conductor
(2000)

Sara French Quintette — En el pozo María Luisa

(via jazzmanouche90)

This would be unrealistically amazing if it used lilypond for engraving

want NAO

Los Míticos Del Ritmo — La Libanesa

(via guapachandotv)

Jean-Philippe Rameau (1683-1764) — Les Indes galantes (1735)

Les Sauvages, scène IV

  • Rondeau – Danse du Grand Calumet de la Paix (Danse des Sauvages)
  • Duo (Zima, Adario) et Chœur « Fôrets paisibles »

Les Arts Florissants
Patricia Petibon, Zima
Nicolas Rivenq, Adario
William Christie, conductor
Andrei Serban, mise en scène
Marina Draghici, décor & costumes
Blanca Li, choreography
Opéra de Paris (2005)

(by Ambasciatrice)


György Ligeti (1923-2006) — Musica Ricercata (1951-1953)

VII. Cantabile, molto legato

Pierre-Laurent Aimard, Piano
(1997)

(via ThomasLigre)

life:

Clothed Descending a Staircase No. 2…
In an homage to Marcel Duchamp’s masterpiece Nude Descending a Staircase No. 2 (itself inspired by Eadweard Muybridge’s photographs), Eliot Elisofon photographed Duchamp performing the act himself in 1952, and used multiple exposures to mimick the artist’s famous time-lapse-style painting.
(see more of innovative LIFE photos here)

life:

Clothed Descending a Staircase No. 2…

In an homage to Marcel Duchamp’s masterpiece Nude Descending a Staircase No. 2 (itself inspired by Eadweard Muybridge’s photographs), Eliot Elisofon photographed Duchamp performing the act himself in 1952, and used multiple exposures to mimick the artist’s famous time-lapse-style painting.

(see more of innovative LIFE photos here)